Ghaati Movie Review: Ghaati, directed by Krish Jagarlamudi, marks the much-anticipated return of Anushka Shetty to the silver screen after a two-year hiatus. Released on September 5, 2025, the film delves into the gritty world of the Eastern Ghats, exploring themes of exploitation, revenge, and survival. While Shetty’s performance has garnered praise, the film’s execution has received mixed reviews.
Plot Overview:
Set against the rugged backdrop of the Eastern Ghats, Ghaati follows the journey of Sheelavathi (Anushka Shetty), a bus conductor in Koraput, and her childhood sweetheart Desi Raju (Vikram Prabhu), a lab technician. Their simple lives are upended when they become entangled in the illicit cannabis trade controlled by the ruthless tycoons, Kundula Naidu (Chaitanya Rao) and Kaastala Naidu (Ravindra Vijay). The narrative unfolds as Sheelavathi rises from being a victim to a formidable force, challenging the oppressive system.
Performance:
Anushka Shetty delivers a commanding performance as Sheelavathi, embodying strength and vulnerability. Her portrayal of a woman who evolves from a victim to a leader is compelling, capturing the essence of resilience. Vikram Prabhu complements Shetty’s performance with a grounded portrayal of Desi Raju, adding depth to the narrative. Chaitanya Rao and Ravindra Vijay effectively portray the antagonistic tycoons, bringing menace to their roles.
Direction and Execution:
Director Krish Jagarlamudi’s vision for Ghaati is ambitious, aiming to blend raw action with emotional depth. However, the execution falters in certain areas. The first half of the film sets a promising tone, introducing the characters and the world they inhabit. The interval block heightens the stakes, but post-interval, the narrative loses momentum. The revenge angle becomes predictable, and the action sequences lack freshness. Additionally, the climax fails to deliver the anticipated impact.
Cinematography and Music:
Cinematographer Manoj Reddy Katasani captures the rugged landscapes of the Ghats beautifully, enhancing the film’s visual appeal. The cinematography adds authenticity to the setting, immersing the audience in the environment. Music by Nagavelli Vidya Sagar complements the narrative, though some tracks feel repetitive. The background score effectively underscores the film’s intense moments, though it occasionally becomes overpowering.
Critical Reception:
Ghaati has received mixed reviews from critics. While Anushka Shetty’s performance has been widely praised, the film’s reliance on familiar tropes and lack of emotional depth have been points of contention. According to India Today, the film “fails to rise above basic tropes,” offering little to look forward to beyond Shetty’s performance.
Conversely, Telangana Today commends the film for its gripping tale of courage, betrayal, and survival, highlighting Shetty’s commanding comeback role. The review notes that the film “delivers a gripping tale of courage, betrayal, and survival,” with Shetty’s performance being a standout feature.
Audience Reactions:
Audience reactions on social media platforms have been divided. While some viewers have lauded Shetty’s performance, others have expressed disappointment with the film’s execution. A review of Tupaki English mentions that while the first half and interval block offer engaging moments, the emotional connection is lacking, and the film’s second half becomes predictable. The review concludes that if viewers are eager to see Shetty’s return to the screen, the film may suffice, but those expecting the magic of her previous collaborations with Krish may be disappointed.
Final Verdict:
Ghaati serves as a testament to Anushka Shetty’s enduring talent and screen presence. While the film’s narrative and execution may not meet the high expectations set by its premise, Shetty’s performance provides a compelling reason to watch. For fans of Shetty and those interested in action dramas centered around strong female protagonists, Ghaati offers a worthwhile experience. However, viewers seeking a film that transcends conventional storytelling may find the film lacking in certain aspects.
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